Rejected, Broken And Forgotten

Synopsis

Paris’ POV
I lost everything at age five- my parents, my position in the pack, and my desire for love and happiness. It is safe to say I haven’t belonged anywhere since my brother was born. He took my place in my parents’ hearts and left me not even the crumbs of their love. But who gives a s**t? I am turning eighteen today and can leave the werewolf pack for good. The Ravenstone Pack was my home for the last eighteen years. They do not love me, and most think I am weird. It does not bother me. All I am good for at home is the chores I have to do and cleaning up after my thirteen-year-old brother, Benjamin, or Ben for short.
“So, you are turning eighteen. I hope you leave home and stop embarrassing me. My friends say you are weird,” Ben says.
“What? No happy birthday?” I say sarcastically.
“Whatever! You are a loser. Look at you! You always wear black and have that ring in your nose! You never show your face, and no one cares about you! You wear too many clothes! The other girls always wear dresses and stuff, but you wear jeans and hoodies,” Ben says.
“I don’t care what you or your friends think of me. Piss off. I am busy,” I say. I am packing. I want to leave as soon as school is out today. It is our last day of school as well. So yippie for me! I am celebrating my birthday and graduation on the same day, and my parents and brother don’t give a s**t. I bet my parents even forgot my birthday.
“Paris! You and Ben are going to be late for school! Hurry up!” My mother shouts. I hate her. I know her secret, which would tear my family apart if my father knew.
“I am coming. Go out, brat, and get something to eat,” I tell Ben. He sticks his tongue out at me as he walks out. I am late as always, but I do not care. I run to school. My parents left without me, as they do many mornings, and took the brat with them. As I turn the corner and run into Mark. The son of the Alpha.
“Mate!” My wolf shouts. I see Mark looking at me and frowning.
“Don’t worry about it. Reject me so I can accept and be on my way. I am late,” I say.
“I, Mark Brown, reject you, Paris Sawyer, as my mate and future Luna,” Mark says.
“I accept your rejection, Mark Brown,” I say as I start running again. My wolf is crying inside me. I got her at sixteen, and her name is Flame.
“Oh, shut up, Flame. You knew whoever our mate was would reject us,” I say. I do not have time for her drama now. I have to get to school, get my diploma and get the hell out of here.

Review

Her Mate Called Her A Schemer, Then Pulled Her Into The Bushes

Ever dreamed of a man who sees through your tough exterior to the raw, vulnerable heart beneath, only to initially judge you as a calculating opportunist? If you’re anything like me, a veteran of countless werewolf romances, you know the ache of a heroine misunderstood. This is precisely where Rejected, Broken And Forgotten grabs you by the throat, introducing Paris, a protagonist who’s been kicked to the curb by everyone she should trust, only to find her fated mate, Walker, already casting her in a role she despises. When he glares at her, accusing her of wanting to be Queen for power, you feel her internal cry: “My heart feels like it is ripped into pieces. Why does he hate me so much that he is willing to make me his mate only to make me suffer?”

The Male Lead — Deep Dive

Walker Brooks, the supposed “rebel prince,” is not your run-of-the-mill alpha. Oh, he’s d$$$$$$t, sure, with a commanding presence and an immediate declaration to Paris, “You are not going home until I say so.” But what makes him genuinely compelling is the deep-seated trauma and cynicism that fuels his actions. He’s the illegitimate son of King John, abandoned and raised in the States, returning with a chip on his shoulder and a burning desire for “revenge on the kings and my mother for abandoning me.” This isn’t just about power; it’s about a fundamental restructuring of their society, driven by personal betrayal. He views most royal women, including his own mother and grandmothers, as “useless” and only capable of sitting around “trying to look beautiful.”

This jaded perspective is precisely why his initial judgment of Paris hits so hard. He sees her, a royal twin, through the lens of his past, immediately assuming she’s in it for the crown: “Hahaha. Yeah right! I am sure it has nothing to do with her wanting to become Queen and rule Mercia and Essex.” This isn’t just alpha arrogance; it’s a vulnerable defense mechanism, a man deeply scarred by the perceived superficiality of royalty, projecting his distrust onto his fated mate. Yet, even in his cynicism, there’s a flicker of awareness. He observes Paris with a keen eye, noting, “She is strong, and I can tell by how she carries herself. The way she walks and talks tells me she is a fighter that is not used to being pampered.” This contradiction – his vocal dismissal versus his internal observation – reveals a man far more complex and capable of growth than he lets on, making him a fascinating hero to unravel.

The Female Lead — Her Journey

Paris starts in a place of profound neglect and rejection. At age five, she “lost everything” and hasn’t “belonged anywhere since my brother was born.” Her own family treats her like an outcast, with her thirteen-year-old brother Ben calling her a “loser” for her black clothes and nose ring. Her eighteenth birthday, a day for celebration, is marked by her desperate plan to “leave the werewolf pack for good,” packing her bags the moment school lets out. She’s reactive to her circumstances, but proactive in her escape, a survivor who expects nothing and demands less.

But what truly defines Paris’s journey in these opening chapters is her unexpected shift from self-preservation to a fierce, almost reluctant, protectiveness. Initially, she dismisses the royal guards mistaking her for her twin sister, London, with a sardonic, “Well, I am not your Princess.” Yet, her innate sense of justice compels her to turn back: “I can not leave the poor Princess in the claws of my pack.” This is where she truly surprised me. Despite her own deep wounds, she steps up, not for power, but out of a hidden well of empathy. Her arc swiftly moves from being a discarded pack member to a vital player in a royal deception, all while maintaining her raw, no-nonsense attitude. This transformation, topped off by her unexpected decision to rescue her cruel younger brother Ben from their mother’s toxic influence – “Piss off, Maren. We are taking our brother,” she snarls – showcases a strength that isn’t just physical, but deeply emotional and relatable to any woman who’s ever had to rise above a broken past.

The Chemistry — What Makes It Work

The chemistry between Paris and Walker isn’t some sugary sweet, instant connection. Instead, it’s a delicious, sparking conflict, built on misunderstanding and an undeniable fated mate pull. Their first significant interaction around the campfire in Chapter 13 is a masterclass in tension. Walker’s pointed accusations about her motives (“I am sure it has nothing to do with her wanting to become Queen and rule Mercia and Essex”) slice through Paris, leaving her “crying silently inside.” Yet, her defiance is immediate and potent: “I do not care what you think my motives are. I am here solely to help my sister.” This clash of wills, where both are strong and opinionated, sets the stage for a power dynamic that is anything but one-sided. He might be a rebel prince, but she’s a “born warrior” who doesn’t back down.

And then there’s *that* kiss in the bushes in Chapter 15. After all the accusations and simmering animosity, Walker pulls Paris aside with a deceptively casual request for “privacy so I can say goodbye to my mate.” What follows is a moment of pure, unadulterated passion. “He kisses me, and I feel my knees go weak. My wolf enjoys being in her mate’s arms, as do I. Walker pulls away, and I can feel the effect of our kiss on him. He is as hard as a bloody rock.” It’s a raw, animalistic connection that utterly bypasses their mental disagreements, hinting at a deep, primal bond that neither can deny. The pacing is a fascinating mix: instant, scorching physical attraction, but an emotional slow burn as they navigate mutual distrust and past hurts. It’s the kind of intense, suggestive spice that promises a whole lot more heat once these two finally get their heads and hearts on the same page.

Plot & World — What Keeps You Reading

The core conflict of Rejected, Broken And Forgotten is ingeniously woven between Paris’s personal journey of overcoming family rejection and a high-stakes royal political struggle. Her twin sister, London, a pampered princess, needs Paris to impersonate her and stall a forced wedding to Prince Oliver, while Walker, the rebel prince, wages war to overthrow the current corrupt system. This isn’t just a simple twin swap; it’s a dangerous game of identity, power, and survival, where Paris, a complete outsider, is thrust into the very heart of the kingdom she was never supposed to be a part of. The world-building quickly establishes distinct werewolf kingdoms – Mercia, Essex, Sussex – each with its own royals, political intrigue, and hidden alliances, creating a rich backdrop for the drama.

What truly kept me reading was the mounting intrigue and the sheer audacity of the plan. The idea of Paris, the tough, unsentimental “born warrior” who’d rather “kill the guy or woman that came up with this stupid fashion” of high heels, having to pretend to be a delicate princess, is comedic gold and a source of constant tension. Coupled with the mystery of Walker’s full motivations, the underlying threat of Prince Oliver, and the immediate stakes of a royal wedding that needs to be “stall[ed] until you defeat Oliver and become King of Mercia,” I had to know what happens next. The author has crafted a setup that promises both personal vindication and epic power struggles, making it impossible to put down.

Honest Assessment — Trope Handling

This book confidently embraces several cornerstone werewolf tropes: the “rejected mate,” the “fated mates,” royal intrigue, and estranged siblings, with a dash of “ugly duckling” thrown in for good measure. It leans heavily into the fated mate trope with Paris and Walker’s undeniable, primal connection, yet it refreshingly subverts the traditional “rejected mate” narrative by having Paris actively reject her former pack’s future Alpha, Mark, stating, “I have moved on and will never accept him as my mate!” This shows an agency often missing in heroines who passively endure rejection. Walker’s initial misjudgment of Paris as a power-hungry royal provides a compelling internal “rejection” that drives their early conflict, rather than a direct mate rejection, which feels earned given his backstory.

Fans of the genre will undoubtedly adore Paris’s fierce independence and defiant spirit, particularly how she refuses to be a doormat, even to her fated mate. Her journey from neglected outcast to a crucial player in a royal war, all while navigating a complex family dynamic, makes her highly admirable. The twin switch storyline provides a fun, dramatic layer. However, readers seeking subtle prose might find the direct, no-frills narration a bit jarring at times. The quick shifts in perspective and internal monologues can feel quite abrupt, which might divide those who prefer more polished, descriptive writing. But for those who prioritize plot, pace, and a strong, feisty heroine, these stylistic choices won’t detract from the sheer addictiveness of the story.

Verdict & Call to Action

This book is for readers who crave a werewolf romance with a heroine who has a backbone of steel, a knack for royal intrigue, and a hero who is d$$$$$$t yet must fight for her trust. It stands out by taking familiar tropes and injecting them with a thrilling twin-swap conspiracy and a heroine who refuses to be anyone’s victim, making her journey uniquely her own and incredibly satisfying. If you’re tired of shrinking violets and want a story where the heroine bites back, this is it.

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